What I’ve Been Sewing…

So … as promised in my last post, I’m going to share with you what I’ve been sewing. First though, I’d like to talk about what I’ve learned over the last several weeks:

Sewing seems to have a muscular use-it-or-lose-it quality: I used to be a fairly fearless seamstress. I’d take in, let out, alter necklines — and all without hours of angst —- but my decade-and-a-half hiatus (during which I only sewed Halloween costumes and home decor) has cost me dearly in the confidence department. The mechanics of sewing seem to be the equivalent of riding a bicycle, but the leap-of-faith straying from what the pattern instructs is a whole ‘nuther ball game. (Am I allowed to mix that many metaphors?)

If I’m the sewer, I’m also the designer:  Perhaps this is a no-brainer, but I still feel it’s worth pointing out that there are NO pattern police! Who’s to say how a piece is supposed to look? I’ve done a lot of googling these last few months, pulling up countless images of various clothing items. Noticing the endless “anything goes” variation in style has been incredibly freeing.

I need to keep my expectations reasonable:  I’m a bit of a perfectionist, which can be problematic in the creativity department. But I’ve been taking a close look at manufactured garments and they’re not perfect either. The fact is, no one but me will ever scrutinize my lines of stitching for evenness. (Well, my seamstress mother might, but she lives clear across the country.) My new mental measuring guide is now the question, Is this better than an Aéropostale t-shirt? (Which is, admittedly, not an extremely high bar; however, this too has been incredibly freeing.)

The internet is a dream-come-true for this particular sewer:  The fact that the internet is chockablock with techniques and inspiration is a given; however, there are other ways in which it’s a godsend, especially for those of us who are sartorially-challenged. Part way into this sewing adventure I did something I should have done right at the outset. I googled clothing to suit [insert problematic body parts] … and Oh. My. Gosh. the things I have learned … !

For instance, I now know that raglan or dolman sleeves are a good choice to minimize my broad shoulders. I also learned that boatneck styles will only further emphasize my shoulders, as will horizontal stripes. And, because dark colours recede, if I’m going to be doing colour blocking, I should choose a darker tone for the sleeves than for the body of the shirt.

Shoulders aside, I’ve learned that for my particular body type — small-busted and too slim — I should be wearing dark bottoms paired with lighter or patterned tops. Additionally, I should look for tops which have details around the bust, such as pleats or pockets or gathers. Shirts that are belted or which have an empire waistline are also on my “flattering list”.

What’s really interesting to me is that much of this advice jives with what I have intuitively felt about particular items of clothing in the past. The light-washed denim jeans of the 90s always felt wrong, as have khakis. More recently, one of my special occasion outfits — a light blue top paired with a black skirt — felt “right”, whereas another very similar outfit, but which had the tones in reverse — a black top and sweater with a light grey skirt — felt “wrong”.

And now — finally — onto the clothing I’ve been sewing …

As I discussed previously, last year I tried to sew a couple of blouses, neither of which turned out well. Reflecting that what I wear most often, and really needed, was t-shirts, I decided to turn to knit fabric. I do have a serger, which is ideal for stretchy fabric, but it is entirely possible to sew knits using only a sewing machine, and the internet is full of techniques for doing just this.

I used this pattern:


… and bought several pieces of knit fabric from our city’s ONE fabric store (in other words, I cannot be overly choosey…).

I began with the piece I liked the least, one which had only enough fabric for the body of the shirt, and I cut up an existing t-shirt (one with a stretched-out neckline) for the sleeves. Being a Very Bad Blogger, I didn’t take a photo of this first t-shirt in its initial stage of hmm-Well Crap!-this-is-too-tight-around-the-bust-and-shoulders-and-doesn’t-look-very-good. Nope! Nothing to see here, folks; move along!

Because this was a trial piece, I proceeded with trying to see if I could salvage it by slitting the front partway down the middle and inserting a strip of fabric in order to add some ease in the bust and shoulder areas. I then proceeded to finish the neckline, using a self-bias binding technique (which had been my favourite neckline technique for woven fabrics when I sewed clothing for my kiddos, although I always do mine* in reverse of this tutorial, which I think results in a neater finish).

This is what it looked like at this stage:

Yes, this is just WEIRD …

I didn’t like how this neckline binding technique worked on the knit fabric, so I removed it and inserted a banded neckline, and then used a double needle, along with my walking foot, to topstitch the seam. This looked much better …

… and by better, I mean the neckline looked better, not the shirt in general.

I had hoped, during this process, that I would end up with a top I actually liked. Unfortunately, after all that work, I didn’t. The less-than-expert insertion down the middle was just wonky and weird, and the white sleeves seemed to emphasize my wide shoulders, making me feel self-conscious.

(And here, of course, is where the internet came to the rescue — those white sleeves were, in fact, the equivalent of a neon billboard shouting out, Hey, look at these broad shoulders!)

This exercise did prove to be useful, however. I had figured out the fit of this particular pattern (and I now know that for those of us with wide shoulders a bust measurement isn’t necessarily going to be sufficient to ensure a proper fit when it comes to a raglan sleeve pattern). So, making a mental note to stay away from white sleeves, I sewed these three t-shirts:

The neckband for the pink shirt came from the white t-shirt I had cut up for the trial shirt. The middle shirt is an amalgam of the original pink fabric I bought (I had just enough for another front piece) and a purged golf shirt that had belonged to my husband. The neckband on the mottled blue shirt is self-fabric, but wrong side out, and I turned the hem on the sleeves to the outside, rather than to the inside, to mirror what I had done with the neck. The neckbands all look a bit wavy, but they do lay flat when I wear them.

I made them in a longer length than the pattern indicated, and I’m quite happy with how they turned out; however, there is one problem with them: except for the navy fabric harvested from my husband’s golf shirt (which was cotton), they’re all either polyester or an unknown “mixed fibre” blend. Ideally I would want cotton t-shirts, but cotton knit seems to be a rare beast at my local fabric store. Knowing I was going to require something cool for the summer (and quite frankly determined that my wardrobe should be more than just all-tees-all-the-time), I decided to re-visit the woven fabric blouse conundrum. I decided that this pattern —

— which I had purchased last year to make this trial shirt —

— was not necessarily a complete dud. I had chosen this pattern partly because raglan sleeves are easy to sew, but I now knew that they should be a good style to complement my square shoulders. Reasoning that the blouse might be flattering if there were some pleats or gathers around the neckline to soften the front, I simply moved the front pattern piece 4 cm away from the folded edge of my fabric, thus adding 8 cm to the width of the front of the shirt. (This 8 cm number was arrived at by pure guesswork.)

This is actually blouse #2. Being a Very Bad Blogger, I forgot to take a photo when I was cutting out blouse #1. (And just in case you’re confused about what’s going on in this photo, I layered the back pattern piece on top of the front simply to have a guide for the sides. This pattern has a front which is made from three vertical sections, but I wanted my front to be a single piece instead.)

The first shirt required quite a lot of experimentation. I played around with pleats at the neckline, but didn’t like how they were looking, so then moved on to trying gathers … happy with that, but deciding that the extra volume through the front was causing the shirt to look slightly maternity-like, and knowing that an empire waist was supposed to be flattering for me, I proceeded to add some gathers part-way between the waist and the bust, covering up and securing my lines of gathered basting with a strip of fabric …

I was very happy with how this turned out, so I made another two tops from the same pattern, although with slight variations.

For top #2, I added ties to the sides which gather the front at the waist in a similar manner to the stitched-in gathers of the first top. I made this one in an even longer tunic length and left slits in the side seams:

And for the third top, I cut the front horizontally at an empire waist height, added gathers to the lower edge of the top part, and then removed the “excess” 8 cm from the bottom piece (by trimming 4 cm from each side). This is also tunic-length, with slits in the side seams.

So … I have to say I have LOVED wearing these tops, which is all fine and dandy … EXCEPT … I now have another problem: I don’t even want to THINK about wearing any of my old and ratty tops … meaning I’m now scrambling to whip up a few more blouses to round out my wardrobe.

I have yet another iteration of this same pattern on the go, and one would think, that by the FOURTH rendition, I would no longer need my seam ripper … but no … I’m not sure what’s going on with this one … maybe it’s the sleeves, maybe I didn’t get the position of the gathering correct, maybe it’s the wild floral pattern … but there’s just something about this top that isn’t yet working …

While I’m mulling over top #4, I’m also trying out something entirely different. This next one is inspired by this top, and I was hoping to use the fabric from this skirt, which has been in my wardrobe for at least 22 years:

I have always LOVED the fabric of this skirt, but haven’t worn it very often. It’s a bit shorter than I would like a skirt to be (mid-calf versus ankle), and whenever I did wear it — paired with either a navy tee or a white blouse — it never quite felt “right”. Now that I know I “should be” wearing patterned tops and dark bottoms, this makes sense — it’s the reverse of what I should be wearing.

I’m thinking that a bit of navy at the top, with the skirt fabric gathered just above the bust might work …

… but indecisiveness is causing me to hesitate: perhaps this isn’t the best use of this fabric (is the pattern too wild for a top?), and perhaps this style isn’t even going to suit me (in which case I will have wasted some perfectly good fabric which I love. Gasp!).

I am, now, in the process of making a trial piece of this style from some scrap fabric, and perhaps once I’ve finished I’ll have a clearer idea of what to do. Any thoughts or suggestions you might have would be most welcome!



*I wasn’t sure how much detail to put into this post … because I’m not a “sewing blog” I felt I should spare you from all of the nitty-gritty intricacies of construction, but if anyone does want clarification on anything I did (or would like to see my technique for self-bias binding), I’ll be glad to share.